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It’s a contemporary space, with an international outlook but we strongly felt that elements of the interior needed to draw their cues from the building and square.We also had the existing building and a new rooftop extension to work with where the quality of spaces were really quite different demanding room concepts that could flex, scale and be modified to suit various architectural scenarios.When we got into the detail we had to work though requirements for each room type, incorporating a mixture of traditional luxury elements (for example a wardrobe long enough to house a Nobel-prize gala dress) contemporary art (hand picked by curator Sune Norgren) and a mix of local and international elements and design.We wanted every room to feel like a suite so even in the smallest of standard rooms we have clear hallway, sleeping and living zones.All standard rooms incorporate a full length marble credenza that doubles up as desk with a lounge seating area comprising a custom designed sofa and well stocked minibar and drinks area. Working within a period building we felt it important to establish an interior that felt authentic in character and felt like it was built to last.

Where possible we used local suppliers and makers from the city.We also drew inspiration from the existing architecture of the square, in particular Peter Celsing’s stone clad Riksbank, and the ancient geology of the city when it came to selecting stone types for the floor and wall cladding of the public spaces.In terms of function we wanted to public spaces to serve the local community of Stockholm workers/ creatives as much as hotel guests and tried to make the public spaces flexible, diverse and comfortable morning to night.Angel Trinidad Angel Trinidad is the founder of Keen on Walls, a website featuring inspiring interiors, design and spaces.Tatjana Quax Photography family of Studio Aandacht; Ben Raf Lambers Zara Arif Tatjana Quax art, classical Scandinavian design, and sophisticated, thoughtful interiors all come together at Stockholm’s newest luxury hotel, At Six. The brief asked us to create a desirable, vibrant destination, appealing to both locals as well as international guests, with the aim of becoming the best contemporary luxury hotel in Stockholm.We spoke with Hannah Carter Owers of Universal Design Studios about the design motivation for the brutalist space, how they redefined the grand hotel concept for modern life, and how Stockholm and its citizens play a central role in its grand designs. The building, a brutalist high-rise structure, was originally designed in the 1970s by Swedish architects Boijsen & Efervgren, and in our design we tried to humanise the imposing architecture, while also making its unique qualities part of the project.The aim was to reinterpret the brutalist aesthetic of the building and the immediate architectural landscape of Brunkebergstorg Square in a way that felt relevant, comfortable and contemporary. Collectively we agreed on ideas for the larger scale pieces in the lobby and public spaces as we needed to make sure the architecture was accommodating but as far as the actual selection of specific works went, it was all on Sune who did a brilliant job.Upon first look, you can see that art clearly plays a big role in the space. With the large sculpture on the staircase there was a fair bit of coordination as we needed to make sure that the materiality and detail of the staircase worked with the head (there was structural plinth cast into the stair to take the marble case of the head) and that the art lighting was correct.